Pablo Picasso (1881-1973) is notorious for various forms of excess - excess in his love life, an excessive output, an excessively inconsistent style.
In this groundbreaking book Elizabeth Cowling draws on her exceptional knowledge as an authority on Picasso to argue that he came to equate stylistic consistency with sterility.
Abandoning the traditional use of subject matter to achieve variety and meaning, Picasso gradually reduced his to a handful of standardized motifs and used a vast array of different styles as the principal means of communicating ideas and feelings.
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