The Oxford Handbook of Methods for Public Scholarship presents the first comprehensive overview of research methods and practices for engaging in public scholarship. The handbook features a wealth of highly respected interdisciplinary contributors, as well as emerging scholars, and chapters include robust examples from real world research in varied fields and cultures. Preface; Part 1: The Changing Academic and Social Landscape;
1. Introduction to The Oxford Handbook of Methods for Public Scholarship; Patricia Leavy;
2. The 21st Century Academic Landscape: From a Disciplinary to a Transdisciplinary Model; Patricia Leavy;
3. Public scholarship, Public Intellectuals and the Role of Higher Education in a Time of Crisis; Henry Giroux;
4. Composing an Undivided Life as an Activist/Scholar: Methods for Practicing Engaged Social Movement Scholarship; Adria D. Goodson; Part 2: Research Design with Vulnerable Populations and Non-Academic Stakeholders;
5. Ethical Issues Working with Vulnerable Populations; Isabel Araiza;
6. Ethical Challenges Community-Based Researchers and Community-Based Organizations Face: Can We Still Work Together?; Margaret Boyd;
7. The Impossible Task of Community Art Practice: A methodological micro-guide for seven young Chicagoans; Jorge Lucero and William Estrada;
8. For the Sake of Humanity: Research on Cross-cultural Collaborative Arts for Public Health; Wendy L. Sternberg;
9. (Un)Settling Imagined Lands: A Par/Des(i) Approach to De/colonizing Methodologies Kakali Bhattacharya;
10. Disaster Research: Past, Present, and Future; Mark R. Landahl, DeeDee Bennett, and Brenda D. Phillips; Part 3: Taking Traditional Methods Public;
11. Interviews: Using conversations in public scholarship; Svend Brinkmann;
12. Public Ethnography; Tony E. Adams and Robin M. Boylorn;
13. Oral History, The Public Record, and The Story; Valerie J. Janesick; Part 4: The Arts;
14. Literature and Creative Writing as Public Scholarship; Sandra Faulkner and Sheila Squillante;
15. Health Theatre: Embodying Research; Susan Cox and George Belliveau;
16. Narrative Film as Public Scholarship; Yen Yen Woo;
17. Visual Art Campaigns; Raisa Foster; Part 5: The Internet, Social Media and Technology;
18. Cellphilms in Public Scholarship; Katie MacEntee, Casey Burkholder, and Joshua Schwab-Cartas;
19. Online, Asynchronous Data Collection in Qualitative Research; Tracy Spencer, Linnea Rademaker, Peter Williams, and Cynthia Loubier;
20. #spacesforknowledgeproduction; Daniel T. Barney, Lorrie Blair, and Juan Carlos Castro;
21. Data Collection via Email; Adrienne Trier-Bieniek; Part 6: Writing and Dissemination;
22. Audience and Voice (and Sometimes Reflexivity); Yvonna Lincoln, Vassa Grichko, and Glenn Allen Phillips;
23. Creative Nonfiction in Qualitative Inquiry; Jessica Smartt Gullion and Jessica Spears Williams;
24. Writing Collaboratively; JeffriAnne Wilder;
25. Academic Blogs; Jimmie Manning;
26. Academics writing for a broader public audience; Phillip Vannini and Sarah Abbott;
27. Generating Publicity and Engaging with the Media to Promote Academic Research; Mark David Ryan; Part 7: Considerations;
28. Grant Writing as a Creative Process: Methods from Brainstorming to Project-Building, Mangement and Completion; Ellen Gorsevski, Kate Magsamen-Conrad, and Lisa Hanasono;
29. Growing the Revolutionary Intellectual, Creating the Counterpublic Sphere; Peter McLaren and Lilia D. Monzo;
30. A Brief Statement on the Future of Public Scholarship and the Research Methods Landscape; Patricia Leavy
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